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A universal translator is a device common to many science fiction works, especially on television. First described in Murray Leinster 's 1945 novella "First Contact", [1] the translator's purpose is to offer an instant translation of any language . As a convention, it is used to remove the problem of translating between alien languages when it ...
Radical translation is a thought experiment in Word and Object, a major philosophical work from American philosopher Willard Van Orman Quine. It is used as an introduction to his theory of the indeterminacy of translation, and specifically to prove the point of inscrutability of reference. Using this concept of radical translation, Quine paints ...
Kural translations by language. v. t. e. Literal translation, direct translation, or word-for-word translation is a translation of a text done by translating each word separately without looking at how the words are used together in a phrase or sentence. [1]
A translation memory ( TM) is a database that stores "segments", which can be sentences, paragraphs or sentence-like units (headings, titles or elements in a list) that have previously been translated, in order to aid human translators. The translation memory stores the source text and its corresponding translation in language pairs called ...
A bytecode interpreter executes the bytecode, but the JIT compiler will translate the bytecode to machine code when increased performance is necessary. [58] [ non-primary source needed ] Hardware compilers (also known as synthesis tools) are compilers whose input is a hardware description language and whose output is a description, in the form ...
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ISO 3166-1 ( Codes for the representation of names of countries and their subdivisions – Part 1: Country codes) is a standard defining codes for the names of countries, dependent territories, and special areas of geographical interest. It is the first part of the ISO 3166 standard published by the International Organization for Standardization .
The Translator is a feature film directed by Rana Kazkaz and Anas Khalaf. The film was produced with the support of Doha Film Institute's financing grants and has won many awards including the Cannes Film Festival's L'Atelier de la Cinefondation in 2017, the CNC Award at the Istanbul Film Festival's Meetings on the Bridge in 2017, and a Tribeca Alumni Grant in 2018 amongst others.