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Digital Cinema Initiatives, LLC (DCI) is a consortium of major motion picture studios, formed to establish specifications for a common systems architecture for digital cinema systems. The organization was formed in March 2002 by Metro-Goldwyn-Mayer, [a] Paramount Pictures, Sony Pictures, 20th Century Studios, [b] Universal Studios, Walt Disney ...
In addition to the equipment already found in a film-based movie theatre (e.g., a sound reinforcement system, screen, etc.), a DCI-compliant digital cinema requires a DCI-compliant [32] digital projector and a powerful computer known as a server. Movies are supplied to the theatre as a set of digital files called a Digital Cinema Package (DCP ...
DCI-P3 is a color space defined in 2005 as part of the Digital Cinema Initiative, for use in theatrical digital motion picture distribution [1] (DCDM [2]). Display P3 is a variant developed by Apple Inc. for wide-gamut displays.
This resolution is used mainly in digital cinema production, and has a total of 8,847,360 pixels with an aspect ratio of 256∶135 (≈19∶10). It was standardized as the resolution of the 4K container format defined by Digital Cinema Initiatives in the Digital Cinema System specification, and is the native resolution of all DCI-compliant 4K ...
A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams. The term was popularized by Digital Cinema Initiatives, LLC in its original recommendation [1] for packaging DC contents. However, the industry tends to apply the term to the structure more formally known ...
The DCI standard for cinema usually relies on a 1.89:1 aspect ratio, thus defining the maximum container size for 4K as 4096×2160 pixels and for 2K as 2048×1080 pixels. When distributed in the form of a Digital Cinema Package (DCP), content is letterboxed or pillarboxed as appropriate to fit within one of these container formats.
SMPTE/DCI digital cinema basic resolution container aspect ratio. Exact ratio is 256:135 but it is commonly referred to as 1.9:1 [32] [33] or 1.90:1 [34] [35] and sometimes 1.896:1. [36] Used by Diao Yinan's The Wild Goose Lake. [35] 2:1 = 18:9 Recently popularized by the Red Digital Cinema. Original SuperScope ratio, also used in Univisium ...
2K resolution is a generic term for display devices or content having a horizontal resolution of approximately 2,000 pixels. [1] In the movie projection industry, Digital Cinema Initiatives is the dominant standard for 2K output and defines a 2K format with a resolution of 2048 × 1080. [2][3] For television and consumer media, the dominant ...
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